photo credit Pieter Estersohn |
There is an art to hanging groups of artwork correctly. If you're every having trouble and I'm not available to dash over and help use these photos as a guide!
photo credit unknown |
photo credit Belen Imaz |
photo credit Bill Batten |
photo credit Gilles Trillard |
photo credit Pierre Olivier Deschamps |
photo credit Pieter Esterohn |
photo credit Simon Upton |
photo credit Stellani Herner |
photo credit Tim Beddow |
photo credit William Abranowicz |
photo credit William Waldron |
That setup in the third photo looks amazing and it's probably the easiest in the entire bunch. Pulling this off successfully is incredibly difficult.
ReplyDeletei'm a patient person. you don't even have to dash over, just saunter and bring your talents. no doubt chicago in winter is on your radar?!
ReplyDeletedebra
Back when dinosaurs were pups I taught yearbook because I was the journalism teacher. Great training for understanding the power of the grid, seeing the optical center is about 1" above technical center, the 2/3-1/3 beauty, the use of negative space and interior margins. Knowledge is not always power. Hence, the many nail holes hidden behind what appears to be a perfect grid. Sigh......
ReplyDeletehi randy,
ReplyDeletei think the most successful gallery-type walls are ones that are created slowly over time. i'm not a big lover of the boxed set type gallery wall. i prefer the ones that look like a person bought a piece of art and came home and hung it and just kept adding to it over the years. i love that look. it's not so contrived. but what do i know?